Expanding into Overseas Markets through Collaboration with Overseas Partners
First written in FY2016. 9 of 18 entries say "Advanced", first in FY2018-Q2. Latest entry: 2026-09-29.
No other company in this theme has enough history to compare yet.
- 2026-09-29AdvancedOther Disclosures
「この度、当社グループ会社である株式会社ウィットスタジオが 2020 年 12 月に立ち上げたストップモーションスタジオ「TORUKU」制作による Netflix シリーズ『My Melody & Kuromi』が第 78 回国際エミー賞の「キッズアニメーション部門」にノミネートされましたのでお知らせいたします。」
Netflixで展開する作品が国際的な賞にノミネートされたことを開示し、海外配信を伴うコンテンツ展開の実績を更新している。 - FY2026AdvancedAnnual report
「LUCASFILM ANIMATON Ltd.LLC 1,313,256」
Discloses sales of ¥1,313,256 thousand to affiliates of LUCASFILM, an overseas customer, updating its transaction results with overseas customers. - FY2025AdvancedAnnual report
「Netflix Studios,LLC 2,040,891 Netflix Global,LLC 1,532,981」
Discloses sales of ¥2,040,891 thousand in the video production business and ¥1,532,981 thousand in the rights business to affiliates of Netflix, an overseas customer, providing a specific indication of the scale of overseas market development. - FY2023AdvancedAnnual report
「In addition, income from overseas translated publishing, particularly in Europe and North America, remained strong and contributed to the increase in revenue.」
Discloses that income from overseas translated publishing, particularly in Europe and North America, remained strong and contributed to higher publishing revenue. - FY2023-Q3AdvancedAnnual report
「In addition, revenue from overseas translated publishing, particularly in Europe and North America, increased substantially, rising 70% year on year.」
Revenue from overseas translated publishing, including in Europe and North America, rose 70% year on year, disclosing tangible growth in overseas market development. - FY2023-Q2AdvancedAnnual report
「Distribution and licensing revenue from "SPY × FAMILY" in Japan and overseas remained strong, but revenue declined because income from a large investment project moderated.」
Distribution and licensing revenue from "SPY × FAMILY" in Japan and overseas was reported as strong, demonstrating tangible overseas market development through overseas partners and other channels. However, income from large investment projects moderated, reducing total revenue in the rights business. - FY2021RestatedAnnual report
「As the domestic content market remains broadly flat, we will build cooperative relationships with international partners and work to expand overseas markets through video-production contracts, streaming and other activities.」
Continues to indicate overseas market expansion through commissioned video production and streaming via overseas partners. - FY2019WorsenedAnnual report
「Revenue from overseas sales of "The Ancient Magus' Bride" moderated, while amortization of video masters and content assets increased by ¥441,309 thousand from the previous fiscal year.」
Overseas sales of "The Ancient Magus' Bride," a specific source of revenue from overseas market expansion, remained subdued throughout the fiscal year, reducing revenue and profit in the rights business. - FY2019-Q3WorsenedAnnual report
「Overseas sales of "The Ancient Magus' Bride" remained subdued, while amortization of video masters and content assets and other items increased by ¥265,326 thousand from the same period of the previous year. As a result, revenue from this business was ¥1,053,620 thousand, down 20.1% year on year, and operating profit was ¥36,104 thousand, down 94.7% year on year.」
The moderation in overseas sales of "The Ancient Magus' Bride" continued, and revenue and operating profit in the rights business fell below the same period of the previous year, indicating slower earnings growth from overseas expansion. - FY2019-Q2WorsenedAnnual report
「Overseas sales of "The Ancient Magus' Bride" moderated, while amortization of video masters and content assets increased from the same period of the previous year. As a result, revenue from this business was ¥710,820 thousand, up 0.4% year on year, and operating loss was ¥37,980 thousand, compared with operating profit of ¥306,188 thousand in the same period of the previous year.」
The moderation in overseas sales of "The Ancient Magus' Bride" continued, and the rights business swung from operating profit in the same period of the previous year to operating loss. - FY2019-Q1WorsenedAnnual report
「In the rights business, we recognized revenue distributions from secondary use, centered on series titles including "B: The Beginning," "Attack on Titan," "Space Battleship Yamato" and "The Ancient Magus' Bride." Overseas sales of "The Ancient Magus' Bride" moderated, while amortization of video masters and content assets increased. As a result, revenue from this business was ¥213,475 thousand, down 5.7% year on year, and operating loss was ¥88,107 thousand, compared with operating profit of ¥47,549 thousand in the same period of the previous year.」
Overseas sales of "The Ancient Magus' Bride," previously reported as strong, moderated, and the rights business swung from operating profit in the same period of the previous year to operating loss. - FY2018RestatedAnnual report
「As the domestic content market remains broadly flat, we will build cooperative relationships with international partners and work to expand overseas markets through video-production contracts, streaming and other activities.」
Continues to indicate overseas market expansion through commissioned video production and streaming via overseas partners. - FY2018-Q3RestatedAnnual report
「The "The Ancient Magus' Bride" series performed well, particularly in overseas sales.」
States that overseas sales of the "The Ancient Magus' Bride" series continued to perform well. - FY2018-Q2AdvancedAnnual report
「The IG Port Group's strategic title "The Ancient Magus' Bride" series performed well, particularly in overseas sales. As a result, revenue from this business was ¥707,886 thousand, up 40.5% year on year, and segment profit was ¥306,188 thousand, up 84.1% year on year.」
The "The Ancient Magus' Bride" series performed well, particularly in overseas sales, and revenue and segment profit in the rights business exceeded the year-earlier period. - FY2017RestatedAnnual report
「As the domestic content market remains broadly flat, we will build cooperative relationships with international partners and work to expand overseas markets through video-production contracts, streaming and other activities.」
Continues expanding overseas markets through production commissions and streaming via overseas partners. - FY2016First statedAnnual report
「As the domestic content market remains broadly flat, we will build cooperative relationships with international partners and work to expand overseas markets through video-production contracts, streaming and other activities.」
Uses production contracts and streaming through international partners as means of expanding overseas.